Sobrenatural1/2007
Patrícia Portela
Since 1994 works with diverse independent theatre companies, mainly as set or costume designer, having also developed these functions for several short films. Since 1998 writes and coordinates several performances, such as Wasteband (2003, Premio Reposição Teatro na Década and Special Mention at the Premio Acarte/Madalena de Azeredo Perdigão); the trilogy Flatland, which won the Premio Acarte/Madalena Azeredo Perdigão 2004 for its fist episode and a Special Mention from the Asociación de Críticos de Teatro de Portugal for the trilogy’s dramaturgy. During her transits through her home country and Europe, Patrícia Portela keeps collaborating with other companies and producing new pieces, such as Odília (Festival Temps d’Images 2006) and Banquete, a symposium on immortality and clonation premiered the 20th November of 2007, Gent (Belgium). In 2007 publishes the book Odília with the Editorial Caminho, currently she is preparing the edition of her second book to be published in 2008.
Homenaje a Moretti
Video: Patricia Portela
Thanks to: Leonardo Simões
* video without sound
Thanks to: Leonardo Simões
* video without sound
Tribute to Moretti
Tribute to Moretti is a video passing by through cities, the discovery of each just at the arrival and the departure, without much time to discover or visit them.
This video was recorded during a touring year in which I lived running from one place to another, between cities and build-ups of performances, having just a few hours left to explore the city in which I would sleep for some days. I spent these few hours without maps, without guides, without time, trying to imagine: Where is the centre of the city? Who lives here? Where is the city museum? Where the main square? The writers’ café? The Cemetery? Where did Pasolini die?
This video was recorded during a touring year in which I lived running from one place to another, between cities and build-ups of performances, having just a few hours left to explore the city in which I would sleep for some days. I spent these few hours without maps, without guides, without time, trying to imagine: Where is the centre of the city? Who lives here? Where is the city museum? Where the main square? The writers’ café? The Cemetery? Where did Pasolini die?
Comments
Insert your comment
